Michael, a Danish gangster, takes his girlfriend, Sascha,-and-his extended criminal family on a luxury vacation in a fancy villa in gorgeous Bodrum, Turkey. Shopping, waterparks, barbecuing,-and-hardcore partying fill their days-and-nights. Having little regard for anything or anybody outside their world, they exist in a bubble of excess that is governed by Michael’s rules—and if the code is broken, they all know that violence will follow. But when Sascha befriends a Dutchman with romantic designs on her, she toys with Michael’s authority-and-creates a situation that cannot end well. In a breakthrough performance, Victoria Carmen Sonne fully commits as Sascha, the complex young moll that eludes assumptions-and-expectations. First-time writer/director Isabella Eklöf has a dynamic visual touch-and-a flair for dark comedy-and-creates a destabilizing discord as she elaborately fills the frame with colorful, seductive images while telling a disturbing, graphic tale of brutality-and-power. Holiday provokes, challenges—and even implicates—the viewer in its unsettling reflection of our times.
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